![]() ![]() The sidekick in Will Eisner's famous The Spirit was the unfortunately named Ebony White. Hergé used blackface caricature throughout his work, but especially in the second Tintin volume, Tintin in the Congo. ![]() Winsor McCay's Little Nemo in Slumberland, one of the most acclaimed classic comic strips (paid tribute to last year with a clever Google doodle) featured as one of its main characters the Jungle Imp, an unconscionable blackface African stereotype. Many of the most important and influential cartoonists used blackface iconography as a regular, central part of their work. Controversial cartoons from Ted Rall, Barry Blitt at The New Yorker, and Carlos Latuff at Black Commentator.Ĭomics has a long history of ugly, racist caricature. ![]()
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